The measure of a man's life is how he copes with the terrible wall of fear.
A. A. Gill
The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
A. R. Rahman
I have been connected with the Niels Bohr Institute since the completion of my university studies, first as a research fellow and, from 1956, as a professor of physics at the University of Copenhagen. After the death of my father in 1962, I followed him as director of the Institute until 1970.
Aage Bohr
If I realize that actually there's quantum mechanics happening around us all the time in some macroscopic, interconnected way, then that doesn't change my perception of it, that doesn't change my interaction with it; it just changes how I view my interaction.
Aaron D. O'Connell
The qubit acts as a bridge between the microscopic and the macroscopic worlds.
My wife is from Copenhagen and her father has been a huge Liverpool supporter since the early 1960s.
Aaron Dessner
After years of touring you experience music festivals that are mostly the same - where you copy and paste the same experience into a muddy field in California or a muddy field in England.
I tried hard not to think about the scope or scale of making a record that would be heard by millions and millions of people. I did a pretty good job of tuning that out.
You have to watch out because being an athlete and playing at the college level with the opportunity to go the NFL, you're under the microscope and everybody's watching. There are people that look up to us. So you have to watch out for what you do and who you're around.
Aaron Donald
I'm a chubby middle-aged white guy with short hair. I think that's it, really. I kind of have a look. Right now, I'm not fat enough to be the fat friend, but I'm not thin enough to be the leading man, so I look like a cop.
Aaron Douglas
I have a new show now called 'The Bridge,' where I play a guy who's a real-life guy. My character's based on the life of a guy named Craig Bromell who was a cop for 12 years and then became head of the police association, so basically the president of the union for 85,000 cops.
I think every actor wants to be an FBI or cop at one point.
Aaron Eckhart
I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
Aaron Koblin
I must tell you, I haven't done the drug problem that is faced by cops and people on the border. It's a hard show to do, but I think it's going to say a lot about drugs and the problems related to them. I just hope people can watch it, it's a pretty strong show.
Aaron Spelling
The Open Access Movement has fought valiantly to ensure that scientists do not sign their copyrights away but instead ensure their work is published on the Internet, under terms that allow anyone to access it.
Aaron Swartz
I'm not a model; hence I don't see the reason to have a six-pack abs. I can pull off a tough and rugged look of a cop in 'Dhoom' series without taking my shirt off. Cops don't have to move around without a shirt to flaunt their machismo. What makes the character of a cop stand out is his attitude and not his six-pack abs.
Abhishek Bachchan
Honestly speaking, I don't like my films. When I watch them, I see a lot of scope for improvement, so if I were to see any of my films, like 'Dhoom,' I might say... 'It would have been better if...' or 'had it been...' and this is all about evolving.
In the digital age, fast and secure Internet access is a necessity for Central Virginia families, students, and businesses - but in many of our rural Virginia communities, unreliable high-speed broadband Internet drastically limits the scope of opportunities for growth and success.
Abigail Spanberger
I was having an argument with my stepfather, and he was like, 'Why don't you join the Marine Corps?' And I was like, 'Noooo! Well, maybe, actually... ' I went and saw the recruiter, who was like, 'Are you on the run from the cops? Because we've never had someone want to leave so fast.'
Adam Driver
I was an infantry Marine, and there are only so many things you can do when you get out of the military that you can apply your job to. Either a janitor or a cop. I tried to do both of those things because what else are you going to do?
Copyright law is too confusing.
I like that whole cop-comedy type of drama.
In the workplace, many people become helicopter managers, hovering over their employees in a well-intentioned but ill-fated attempt to provide support. These are givers gone awry - people so desperate to help others that they develop a white knight complex and end up causing harm instead.
For years now, we've been hearing about how China is the great copycat nation, the manufacturer of designs drawn up in other countries, and then an imitator for its own products. That's been true, as the developing country followed a path that Japan and then Korea plowed before it.
I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
It's Will Ferrell, he does Will Ferrell movies. But if you really look at it, he tries to do something different with each one, whether it's an action cop movie like 'The Other Guys' or doing 'Talladega Nights' going into red state America or 'Casa de Mi Padre' or 'Stranger Than Fiction,' which is more of a drama.
If you go back and watch 'The French Connection,' it's been cannibalized so many times. There are certain movies like that, where you see the original and think, 'This isn't so great.' And the reason it isn't so great is because everyone has copied it.
Eventually I got the call for 'Iron Man,' and I read sides that had nothing to do with what I did in the movie, and I performed it once while no one was in the room - it was videotaped, and I'm sure Shane Black was watching it from his helicopter or something. And then I got a call the next day that I was going down to shoot it.
I've used my sense of humor as a coping tool. It's gotten me through a lot of challenging times.
'Mr. Peanut' is not about a man who dreams of killing his wife; that's jacket copy, to me. 'Mr. Peanut' is about the dynamism of marriage and the distances - some tragic, some redemptive - that marriages travel over time, and those travels ain't always pretty.
Bands like R.E.M. and even The Replacements, during that initial wave of college rock, would sell 40, 50, 100,000 copies of a record, and that would be seen as extremely successful - and definitely enough to keep doing more.
When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.
I made a written report which is still today in existence. I have a photocopy of it, and I am saying that in production this aircraft could perhaps substitute for three propeller- driven aircraft of the best existing type. This was my impression.
I was just taking my sketchbook to Kinko's and making photocopies and hand-assembling them - folding them over and stapling them.
I started my career so early and developed in print for better or for worse, so I think there's a sense some of my earliest readers are kind of copilots on this voyage with me.
People like RZA and DJ Premier are really on the balcony to scope my musical theories. They also help me focus on making sure I make money, making sure I get the notoriety I should, just regular stuff that friends do when you're in the business. And to call them friends is amazing.
I remember those moments in my life when the tape came out on that Tuesday, and I went to Sam Goody to cop it. And sitting and listening to it. In awe of the music I was listening to, but also imagining this music at the hip-hop clubs and with the homies in the car.
Coming from an Italian family, my parents had supermarkets and they said I had to take over as any son should take over the family business - I copped a lot of flak when I said 'no.'
They allow us to disrespect our Black woman. A lot of these things would be considered criminal if it were to be carried out in the streets. That's like when they tell you after you buy your VHS and you rent movies they tell you not to copy the movies.
I used to get very nervous before a concert. It's okay when you are in a band. You can kind of disappear. But when it's just you... yes, that was difficult. I would not say it is easy now. But when you do it for a long time, you do learn to cope.
Both 'The Wire' and 'Queer as Folk' had a big scope. They were panoramas, telling ambitious stories about two cities, Baltimore and Manchester, for the first time.
I'd be plenty happy if I could keep playing scientists and cops for the rest of my career.
I love films for the fact that it is like working under a microscope. It is sort of like a laboratory.
All my cop/gangster dramas have been spaced out, but somewhere, the films in which I played the bad guy were extremely successful, so people are under the impression that I play only such roles. I call it selective amnesia.
The coupling of aryl halides with copper at very high temperature is called the Ullmann reaction, which is of broad scope and has been used to prepare many symmetrical biaryls. However, when a mixture of two different aryl halides is used, there are three possible biaryl products.
CO2 is the exhaling breath of our civilization, literally... Changing that pattern requires a scope, a scale, a speed of change that is beyond what we have done in the past.
I've always been in the theater. I've always gone to it. That's been my way to cope. Early on in my career, I remember running - fleeing - to the theater as a way of coping with all the meshugaas that was going on for me.
I was not prepared for fame. It hit me hard, and I did not have the capacity to cope.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
My first language was shy. It's only by having been thrust into the limelight that I have learned to cope with my shyness.