Personally, I really enjoy sci-fi. I watch it, I read comic books, and I play video games. I love this kind of world, so to be able to work in it is a dream. I enjoy it.
Aaron Ashmore
Personally, I really enjoy sci-fi. I watch it, I read comic books, and I play video games. I love this kind of world, so to be able to work in it is a dream. I enjoy it. It's all good.
Personally, I really enjoy sci-fi. I watch it, I read comic books, and I play video games.
I never read too many comic books when I was growing up, but I think everyone loved Wolverine, you know what I'm saying?
Aaron Stanford
I didn't follow the whole 'X-Men' story because it got too complicated. I'd pick up a comic book and have no idea what was going on.
When you're a standup comic, you get up and you try stuff, and you're always kind of seeing how far you can push things.
Aasif Mandvi
I'm not a political comic.
Abbi Jacobson
Movies can provide tear-inducing or comically-entertaining representations of love, but many agree that its deeper conflicting complexities often seem unfathomable.
Aberjhani
Comic books aren't nerdy. You'd have to be an idiot to think computers are nerdy.
Adam Brody
I'm not comically oriented. I get angry and I start complaining and then people start laughing. I don't even want them to laugh half the time.
Adam Carolla
Historically, diversity has been a real issue for superhero comics - so we need to do something about it, crafting strong, modern heroes for a modern audience.
Adam Christopher
To be honest, writing comics is a dream come true - the form is unparalleled and is home to some of the most original and innovative storytelling around.
That's the most amazing thing about writing, whether it's in prose or comics: that you can create something from nothing, and suddenly they come to life, like they've always been there.
I discovered 'The Shield' back around 2010, when the Archie superheroes were licensed to DC Comics. From there, I went back into the archives and discovered this whole universe of characters, and I was hooked.
Growing up as a comedian the most influential person on me was Jon Stewart. He showed that comedy could have a real tangible effect on the world. He showed that comedy could move the needle of society and that a comic can do real things and make a real contribution.
Adam Conover
Comics are regularly asked to perform for impossible rooms. They're called 'hell gigs.'
I was definitely more of a movie/cartoon guy than comics, but I really do like graphic novels - I don't have the time to sit down and read Stephen King like I used to, so I find picking up 'Saga' every now and then and just diving back into it is a great way to stay reading.
Adam F. Goldberg
I'm still awaiting the idea of drawing comics for a living being a reality. I feel like I've been dodging work for 20 years, and at some point, I'll have to get a real job.
Adam Hughes
A great comic-book cover occurs when it gets a potential reader to pick the book up and start thumbing through it. That's a comic cover's job: Attract someone's attention, and persuade them to try the issue out.
That's a comic cover's job: Attract someone's attention and persuade them to try the issue out.
I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
In the past, in the '60s and '70s, genres were much more segmented. You had action guys who were deadly serious about it, and I think you had comics that were comics.
If you're a guy who's always been the fun-to-be-around teddy bear, then all of a sudden people are viewing you as sexy, it's nice. It's great not having to be the plucky best friend or the comic relief anymore - I love that.
There was a long stint during my childhood after I gave up on being a pro football player - we're talking sixth grade here - that I strongly considered a future writing and drawing comic books. I have been making stuff up ever since.
One of the most gratifying, rewarding things is when people come up, and they tell you how the show influenced their lives in a very positive way. When I do these things like Comic Con, I get people who are lawyers, judges, plumbers, carpenters, and entire families, and it's mostly for 'Batman.' But now, amazingly, it's also for 'Family Guy.'
I think our Batman had to be fun, light-hearted, funny, tongue-in-cheek... and I think that made kind of an homage to those earlier comic books, where Batman always had a quip or something.
I come to Comic-Con in San Diego because this is where those fans are - those to whom I owe the longevity of my career.
You have no idea the people I meet when I do these Comic-Cons. When I go sign autographs and say hello to people, I see everything!
The best comics enlist you to take accountability for who you are, whether you like it or not.
I wasn't really a big comic book guy, growing up.
I enjoy getting any kind of mail. Like, for me, like, the more interesting a letter is, I just get more excited, and I know that this going to be great for my friends who are looking forward to reading that in my comic.
I started publishing my comic while I was still living with my parents.
The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.
Most normal boys, as they're growing up, they - in order to become attractive, they might, you know, get good at sports or join a rock band or develop good social skills, and for some reason, I thought that drawing comic books might be my route.
I think comics can be the basis for great films, but I think the focus of such a project should be on making the film as good as possible, not on painstakingly replicating the comic.
My early comics are really reflective of being kind of a befuddled, single loser in the Bay Area, and I think having kids has been by far the most profound impact on me as a person and as an artist.
New York is a brutally expensive place to live, and the kind of person who might have the dedication and esoteric taste to make the comics that I would really love is finding it more relaxing to live elsewhere.
The most impactful comics that I've read are the ones where the artists swung for the bleachers and tried to immerse you in their world.
The comics work is very slow, and it basically involves working for sometimes years in isolation and not knowing how the work is going to be received.
I've always liked the tradition of publishing work serially in the comic-book 'pamphlet' format and then collecting that work in book form, so I've just stuck with it.
I'm not the best person to analyze any kind of evolution in my work, but I do feel like it's been an ongoing struggle to basically teach myself how to tell the kinds of stories that interest me in comics form.
It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve' since I was sixteen.
I've always published a range of responses to my work in the letters section of my comic book.
I think that if you are looking at a comic that's made by one person, that there's just a level of intimacy that I don't really see anywhere else.
'Drawn & Quarterly' has always given me complete editorial control over my books and comics, so any decision about what to include or exclude from the book was my own.
Most of my work - including everything from my own comics to the covers I've drawn for 'The New Yorker' - is the result of taking some personal experience or observation and then fictionalizing it to a degree.
My brother is a comic-book writer, and I was always in love with comics.
If you look at shows like 'Def Comedy Jam' in its heyday, there were so many really funny, talented black comics that never would have gotten on that show because they just weren't doing comedy that fit that mold.
When you see people getting involved in Comic Relief, especially in tough times or times of recession, that's very positive.
Some people admire the aspirational rock star figures whose biopics make it to TV, the people they watched as kids and made them want to play football for England. For some comics, it is often the Doug Stanhopes and the Joan Rivers.