If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
Andy Serkis
Obviously, CGI in the last ten years has gone through such leaps and bounds that today, people are looking for these kinds of movies to wow audiences with technology.
Avi Arad
We will work on ways to digitally enhance Everest, matching it with Dolomites and Everest, but I'll do everything physically first. If there's no other way, then I'll go to CGI.
Baltasar Kormakur
On 'Death In Paradise,' I had a CGI pet lizard and had to react to nothing, which was hideously embarrassing.
Ben Miller
Every film that comes out that incorporates CGI or performance capture is a little bit ahead of the last film that came out. You're on the cutting edge for a certain amount of time, and then the new technology comes out.
Ben Schnetzer
I think CGI is interesting, but it's too expensive and limiting in terms of what you can do shot-by-shot.
Ben Wheatley
I'm not a big fan of CGI. I'm not a fan at all, unless they use it in a way that doesn't call attention to itself.
Billy Campbell
It's always fun when you're doing the CGI stuff, to actually get to work with someone who is real, who's there.
Breckin Meyer
I think sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical.
Brit Marling
One of the defense mechanisms I have for the difficulties in the business, one of which is rejection, is that if I do the work, I go in, and I'm prepared and I audition and they don't hire me, I'm always just amazed, thinking, 'Wow! For that money, they could've had Bruce McGill, and they didn't take me? I just think that's amazing.'
Bruce McGill
I started playing piano with a little band in high school. I was terrible. I thought I had absolutely no talent. I couldn't keep time. I only got into McGill, which was a lousy music school, because they were taking American music students.
Burt Bacharach
There's no proof of the Earth's curvature and this fake space agency Nasa use CGI images and every one is different.
Carl Froch
I'd rather have Ben Affleck feeling something than twenty minutes of punching CGI Zod. You want moments that resonate with your audience.
Chris Claremont
I've always been in love with Howard McGillen's voice, ever since I got wind of him.
Christine Ebersole
When I first read 'Lord of the Rings,' I wanted to see a film of it. But at that time, the technology wasn't there; there was no such thing as CGI.
Christopher Lee
For a while I thought I would work in museums, so my first job after college was an internship at the 9/11 Museum. I quickly found out that I did not want to do that. So I signed up for culinary school, and directly following culinary school, I went to graduate school at McGill.
Claire Saffitz
Because it was one of my favorites from the Arthurian legend, one of the things that I really enjoyed doing was the legend of the crystal cave. In my head, it was fun to imagine what it was going to look like because there was a lot of CGI involved, in seeing visions of the future reflected within crystals.
Colin Morgan
One of the skills you have to master in theater is the ability to make the audience believe that things that aren't there are there - just like when you're acting against CGI. Also, in a theater, the people in the back row can't see the whites of your eyes. Or your lips moving as you deliver dialogue.
David Oyelowo
There's a depth to the look that you get with models that you just can't get with CGI. It's about the detail that you just wouldn't think to put in.
Duncan Jones
My favorite parts about 'The Battle of Five Armies' were the moments where you could clearly see that we were looking at New Zealand. That it wasn't done in post, it wasn't CGI, it was the beautiful, incredible creation of Mother Nature in all of her splendor.
Evangeline Lilly
There's a reason people use CGI: it's cheaper and faster. I hate that.
If you think about it, you can have the best CGI, but you can always tell that it is CGI. Your brain can spot that is not real even though you think it looks cool. Your brain knows the truth, so you don't jump and you don't scream. It was very important for me to expose the audience to real elements.
Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
What's happened with computer technology is perfectly timed for someone with my set of skills. I tell stories with pictures. What I love about CGI is that if I can think it, it can be put on the screen.
The CGI landscape is another world. It has its own physical laws; it can defy gravity. But surely the wonder of cinematic space is that it is wedded to reality?
I'm in 'Gods of Egypt.' It was CGI on a level that I've never encountered. You're in a blue environment on a mirrored floor because that's going to be looking like Ra the Sun God's boat. In the studio, it was like I was in a Robert Lepage theatrical piece.
Comics are a dying art. If you ask a little kid to choose between a video game with insane graphics or comic books... you have to compete with cable, satellite TV with its thousands of channels, and with video games that are like movies, with CGI explosions where you can blow up worlds.
In 'Crazy Rich Asians,' Singapore will be seen as it should be seen, without CGI, without the altering of the images to be more Chinese - a representation of Singapore as we know it and love it.
It's been about 15 years, and I've never really worked seriously in CGI and I thought that here was an opportunity to do the kinds of things that I was not able to do on Ghostbusters.
One of the things that's making ArcGIS come alive is apps. Apps are opening up the ArcGIS platform, making it available to everybody in your organization as well as to the public.
ArcGIS includes a Living Atlas of the World. It's like a large living library of geographic information.
ArcGIS Online is the complete hosted GIS in the cloud, supporting mapping and apps. Additions to this component have included smart mapping, formal metadata, better administration, and high-performance geocoding.
In the area of field apps, Collector for ArcGIS is great, but where do you go? There's a navigator app. And then what do you do when you get there? There's a workforce app. So all of these apps work hand-in-hand to support field workers.
ArcGIS is an integrated Web GIS that is supported by services. These are abstracted in a geoinformation model that's managed by the portal, and then accessible by a number of apps, which are the growing part of this system.
I have nothing against these big CGI movies, but there are not enough of the other ones - the ones with stories about character that have a beginning, a middle and an end. I said that to a couple of studio heads and they said, 'That's novel.'
I don't have anything against CGI.
I just think action films now have... often, because you can do anything with CGI, people do. And I don't think you necessarily should. You lose that sort of human dimension, and you get all the stuff breaking the laws of physics.
The quality of CGI, audiences are now so used to it. They don't know what is CGI and what is real.
Unless you're making Marvel movies, I think CGI usually suffers, especially in mid-budget-range horror movies where you see CGI.
I could take my grandma and put her in a cape, and they'll put her on a green screen, and they'll have stunt doubles come in and do all the action. Anybody can do it. They're relying on stunt doubles and green screen and $200 million budgets - it's all CGI created. To me, it's not authentic.
Even today, a lot of the CGI you see in movies is so clean and crisp that it just looks fake. It's weird: the more advanced they get, the faker it looks.
I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.
I got the pilot for 'Scrubs' sent to me, and in the margin for Dr. Cox, it said 'a John McGinley type.' So when I went in to audition, I said to Billy Lawrence, who's a dear friend of mine, I said, 'Well, I'm John McGinley.'
For all the spectacle of CGI, there's something alien and unreal about that domain, like a videogame.
In 'Lion King,' the music is brilliant. The CGI is amazing.
Get the shading right, the lighting right, and there are things you can do to make the CGI look more real. People end up going crazy and give themselves a little too much freedom in how they use CGI, and if you overuse it, it draws attention to itself.
I like Ryan McGinley's work.
I think that if Shakespeare had had access to CGI, he would have used it. Imagine Lear conjuring the storm and the lightning.
Matt McGinn and Taylor Phillips played a big part in getting me where I am.
I love artists whose work feels animated! Matt Cummings, Ian McGinty, Jake Myler, Arielle Jovellanos, Drew Rausch, Zachary Sterling, Troy Little - I feel like most of the artists I've worked with have a lot of movement and life in their work.
