The human mind has infinite capacity to rationalize, and evil characters just push that boundary a bit. Whatever they're doing, they think it makes sense to do it, and they think they have a good reason to do it. In short, they feel justified.
Paul S. Kemp
For me, 'The Hobbit' is an object lesson in storytelling, both in terms of characterization and story structure. It is an exemplar of storytelling in that regard.
I suppose the textbook definition of an anti-hero is pretty straightforward - a protagonist who embodies not only heroic characteristics but also some characteristics typically deemed non-heroic, even villainous.
My favorite class as an undergraduate was a political theory class on justice. Now, 'justice' is hardly a self-defining term, and much smarter men than I have developed various definitions over the centuries. The class put Plato at one end and Nietzsche at the other, and off we went.
My favorite film is 'The Empire Strikes Back.' My writing, and my personal taste in movies and books, tends toward works with a darker tone, and 'Empire' fits that the best of all the movies.
Luke and Vader's light saber duel in 'Return of the Jedi' gives me chills every time. Even the still photo of the two of them in silhouette, sabers crossed, gives me a rush.
I'm a transactional lawyer, which involves a lot of negotiation. If nothing else, that's given me a good eye for human motivation and frequent case studies in peculiar psychological quirks. I think that's served me fairly well as a writer.
I always say that characters must drive plots, never the reverse. Writing about large-scale events creates the risk that the scope of the events themselves can overwhelm the characters. I emphatically do not want that. That was the only trepidation I felt when I started 'The Twilight War.'
I don't do 'political correctness,' whatever that means. I write the stories I want to write, featuring the characters I want to feature. I don't touch demographic bases to appease this group or that. I write what I want. Full stop.
The anti-hero walks the morally gray path and constantly flirts with redemption, and that flirtation is just a blast to write.
I don't actually do anything special to get in the proper frame of mind for creepy/heinous scenes.
It's true that 'Lords of the Sith' has a lesbian character. Her orientation is a characteristic in the same way as is her brunette hair. It just fit with my conception of her.
I think my best quality as a writer is the ability to craft complicated, nuanced, interesting characters.
