Peace is not a state - it is a choice, and you have to remake it every day. It's possible to get a sort of stability, a habit of peace, but it's like an egg balanced, spinning, on its point: lose your momentum, and your equilibrium is gone, too.
Nick Harkaway
The First World War was a horror of gas, industrialised slaughter, fear, and appalling human suffering.
I'm not an absolutist about free speech. Intellectually, I believe that most of the time it's better to let things get said, argue them, and put lies and stupidities to rest. Practically, I know that newspapers rarely issue corrections with the same prominence they give to denouncements - and Twitter, by its nature, never does.
Digital books are still painfully ugly and weirdly irritating to interact with. They look like copies of paper, but they can't be designed or typeset in the same way as paper, and however splendid the cover images may look on a hi-res screen, they're still images rather than physical things.
I read my father's books growing up. I thought then and I still think now that his writing is wonderful. It delights and infuriates me in equal measure that he's still that good.
In a novel, even if you put a country in the wrong hemisphere, which I've done, I can always claim it was part of the additional weirdness of the story.
Executive power in any nation arguably has more in common with executive power in another country than with the citizens it should serve.
I do not propose that everyone in Guantanamo or its evil twin at Bagram is innocent. I just don't believe we should incarcerate people without trial and torture them or facilitate and profit from their torture.
We are bodies which think, and we're at home with steampunk because it is an ethos of design and creativity which acknowledges the humanly physical: that which we can understand with our fingers.
Names aren't just coathooks, they're coats. They're the first thing anyone knows about you.
Sir Terry Pratchett - he was knighted in 2009, and on him it looked earned rather than entitled - wrote about dragons, wizards, turtles, witches, time-travelling monks, and suitcases with legs.
I do public appearances. I'm bluff, hearty, goofy. I wear loud clothes, and I read the funny bits. I occasionally get taken to task for one thing or another, and I acknowledge my fault, my flaw, my failure, and I move on.
We have a curious relationship with 'funny' in the U.K. We love to laugh, but we also think that making people laugh is just a little bit second-tier, especially in a literary context.
Booksellers are tied to publishing - they need conventional publishing models to continue - but for those companies, that's not the case. Amazon is an infrastructure company; Apple sells hardware; Google is really an advertising company. You can't afford as a publisher to have those companies control your route to market.
'Tigerman' was born in the front seat of a Hilux SUV on the road north out of Chiang Mai.
My wife runs the charity Reprieve, and so rendition, droning, and capital punishment are very much the topics of our dinner table because of that.
In a social context, digital technology introduces you to neighbours of the mind - people who are separated by distance, but close to you in thought and interest.
The idea that the law should punish what is rude; that government should protect our tender sensibilities from those who would - quite often with shallow motivations but sometimes with deeper and more serious complaints - challenge our national certainties and rituals, should alarm and anger us.
An important part of the Internet is that it provides a space for people whose identities are socially unacceptable. If it enables someone who feels minoritised to be who they want to be, it's actually worth having other people be offensive. I'd much rather have both than have neither.
Amazon is a corporation, not a philanthropic trust dedicated to the production of works of art and literature.
The reason steampunk attracts people is that it is premised on a technology which is visible and pleasing to the naked eye, and whose moving parts are comprehensible on a human scale.
I am the world's most appalling martial artist. I am so bad. I've studied jujitsu, kickboxing, t'ai chi. Once, I was sparring with someone, made a mistake, and managed to knock them down. I was so shocked that I dropped to my knees to see if they were all right, and then they knocked me out cold. From the floor.
The great thing is to have been surrounded by stories all my life.
If you ask who I aspire to, well, if a single line of mine was as funny as P. G. Wodehouse can be, that would be great.
I know that when I talk to my parents and my friends, there's a strong feeling of the world out of control and damaged.
We need to differentiate between commercial piracy - where criminal organisations produce illicit DVDs on a huge scale - and domestic, unauthorised filesharing, which may or may not be detrimental to overall sales.
I never engage negatively with reviewers. If someone says something that enrages me, I do what I do on stage. I make a joke about myself and move on. Sometimes people say things that are manifestly wrong or even apparently malicious. That's fine, too. It's a response.
The market, as we're all painfully aware in the aftermath of the banking crisis, can be an idiot. It has no perception of right or wrong, or even sensible or insane. It sees profit.
E-readers are uninspired. They're slabs of plastic with fiddly controls and display a badly-formatted, typographically impoverished rendering of a paper book. That's not the electronic book I want. I want a gorgeous physical object, with paper pages, that can transform into any story I choose, perfectly presented on the page.
Being a parent is weird. It changes people in subtle and unsubtle ways. In my case, it awoke a kind of manic sentinel in my brain. Anything in the house that might be a threat to the kids or to my wife gets terminated - food, sharp edges, poor wiring.
Revolutions come in two stages: the bit where everything gets smashed and the bit where you have to build it again. The first is great fun; the second is so very hard.
In the aftermath of September 11, you can't - as Tony Blair was so fond of suggesting - draw a line under historical events. They don't go away. They come back.
As I work, I see my writing - each scene, each chapter, each section, each book - in three-act structures and classic myths, and I analyze them through the handy filter of the detective story.
My scientific qualifications are relatively scant. I like science. I try really hard to educate myself about it, but in the end, if something has to go 'boom,' and it would probably only go 'fwoosh,' I am relatively unconcerned about that, which is a sin, but not, I think, a grave one.
Happiness is boundlessly weird. Other people's choices often seem to delight them, where I would run screaming.
The mainstream of literary culture in the U.K. is very averse to writing about technology.
We don't need to chase a nostalgic rendering of Britain as it never was and never can be: we need instead an understanding of who we really are and what a happy, prosperous, just nation might look like.
I don't do a lot of research, exactly, but I'm constantly wandering through the world finding things incredible and remembering them.
I wanted a pseudonym partly because I'm quite shy and private. I know that sounds ludicrous, but if I should be lucky enough to make a hit, I wanted to be able to shrug off the mantel of Nick Harkaway when I got home.
I think the reason I wrote screenplays for nearly a decade was because it was my territory. I could stake that out.
We lose stories every day because they drift out of use and into the vast limbo of in-copyright, out-of-print books whose ownership is unclear.
Digitisation was supposed to lead to a great democratisation of access to creative work.
There's a saying in the movie industry that if your movie is about what you actually think it's about, you're in big trouble. I think it's the same with books.
I'm a novelist: I spend a great part of my day pretending to myself that I'm in a different world, being a different person, faced with decisions I pretend I haven't created.
Prize lists are out, and you're not on them? Nature of the world - means nothing. Prizes are a lottery.
I think lots of boys sat down with 'The Three Musketeers' and felt it was a really long book, but then discovered that it's a really gripping swashbuckling story.
My dad and I compete on the pool table; that's the most important competition of our lives. The fact that I'm writing and it works for me is one of the great joys for him. We talk about writing, and it's great.
I grew up on the Roger Moore and Sean Connery Bond movies, so the DNA of my spies is extremely ridiculous and goofy.
After university, I went into film. I started out making tea, managed a brief stint as an assistant director, then found myself writing a screenplay. In the end, I wrote quite a few - but by January 2006, I wanted out.
Suddenly, the idea of writing a book was like coming home. I didn't tell anyone except my wife, Clare. I just began.
