London audiences have this reputation for being a bit too cool for school.

I first played the Royal Albert Hall when I was 14. I was a violinist with the Birmingham Schools Concert Orchestra, and we travelled down from the Midlands for the last night of the School Proms. We played some pieces from the Harry Potter films, and the violin parts were really hard.

What I wear is everything - from how I carry my hair to what I'm wearing on my feet. I have to feel comfortable on stage, so I like to wear things that have room. My mood changes a lot, so sometimes I wear 6-inch heels, and other times I'll perform in bare feet.

For me, a wake-up playlist completely depends on what mood I'm in. If I need to get into action pretty quick, it will be between Beyonce and Miles Davis. I'm a massive Beyonce fan, and all of her anthems will do it for me. And Miles Davis, because I grew up hearing his music because my dad played it a lot, so that will always be special to me.

I like pastels and lighter shades on darker skins. I feel like it lifts everything and accentuates being chocolate.

I'm not like my siblings, who are musical but can turn their hands to other professions! I'd always wanted to be involved in music - I'm a great believer in doing things that fulfil you.

You don't have to aim to be the best of everything, thinking that one day you're going to be the top of the world; I don't think it exists.

I regrettably wasted time at university by being overwhelmed and intimidated by the talent of other composers. I felt stuck and didn't know what I was doing there. I enjoyed my experience, but I didn't grab it in the way I would now.

I love my complexion, but like so many of us, in the early years at primary school, I grew up thinking that my dark skin wasn't a great thing. I've found freedom in music and songwriting, which has given me a freedom in how I present myself. I'm glad I've got makeup to celebrate that with.

I remember listening to Miles Davis in the car with my dad. I had just done my Grade 5 piano exam, and I was quite cocky. I said, 'It sounds like he's played the wrong note there.' I remember the look of horror on my dad's face, and thinking, 'Wow, I have to figure out why that is not acceptable.'

Lizz Wright is my favourite singer. Her voice moves me and takes me to another place. She also grows her own food, and that inspires me.

London audiences have this reputation for being a bit too cool for school.

Topshop is one of my favourite shops, and I love shoes by Giuseppe Zanotti. There's a graduate fashion designer called Kate Falcus who makes me beautiful commissioned pieces - one of my favourites was the white Glastonbury dress she made me with the puffy skirt.

I'm by no means a pianist. I think that's safe to say, but the piano, for me, I would say it's the enabler. It gave me what I needed and gives me what I need in order to write a song. And I think playing or improvising on the piano is where I feel most liberated and sort of less conscious of all my insecurities or inadequacies.

I don't think I always look in people's faces, like, as - I think especially when I'm doing my more intimate songs that are quite personal, I always feel it's a bit accusing if I stare in someone's face when I singing quite a personal lyric.

Being a pop star is something I don't think I'm very good at. I'm worried it's making me too paranoid, because all of a sudden, life has become this constant assessment. When you put something out there and people get to hear it, then those people react to it, socially, culturally.

I got into the habit of filtering out all the good in my life, focusing on only the negative. I'm not sure why I did it, but it's a pretty depressing state.

I thought I had to help people get me, but I don't think they need to be spoon-fed. If you connect with me, that is cool. I don't need the whole world to feel like I am a soul angel.

My parents encouraged us to commit to things, so if we wanted to learn an instrument, it was all the grades and all the theory.

There's nothing I love more in the world than layering voices.

'Mvula' is my married name, but for some reason my nan calls me 'McVula.' I'm not sure if it's one of those jokey Caribbean things, or whether she's just getting it wrong.

I come from an African Caribbean background. I've been influenced by a reggae church music style, contemporary gospel, and rock all fused together.

If I'm uncomfortable on stage, everybody can see it. I'm not very good at hiding it. I like long, loose jacket dresses - anything that I can literally have room to move in - not that I'm a very big dancer, but because sometimes I'm sitting down at the keyboard, and then sometimes I'm standing. It just has to feel good.

My parents were quite strict; we couldn't just listen to whatever music we wanted. It was very much like they monitored what we listened to.

I always start with emotion. That's where I start all of my improvisations, on the piano. I always start with the mood or the feel of where I am in that moment.

I grew up playing in youth orchestras, so they were my most treasured memories, so to be in front of an orchestra playing my own material would be incredible.

I bumped into my cousin after she'd shaved her hair very short, and she looked incredible. She seemed so effortless and cool, and I wanted that. And, I've had it like that ever since.

It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.

I love church buildings, particularly cathedrals, and I like living in spaces that remind me of music or evoke that creative energy.

My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.

Teaching was my first job after leaving university. It was a challenge, but I enjoyed it. Some of the kids were disruptive, but I could deal with it because I was only 24 at the time, and my own school memories were still fresh.