Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
Krzysztof Kieslowski
I like chance meetings - life is full of them. Every day, without realising it, I pass people whom I should know.
For me optimism is two lovers walking into the sunset arm in arm. Or maybe into the sunrise - whatever appeals to you.
I have one good characteristic: I'm a pessimist, so I always imagine the worst - always. To me, the future is a black hole.
Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.
To tell you the truth, in my work, love is always in opposition to the elements. It creates dilemmas. It brings in suffering. We can't live with it, and we can't live without it. You'll rarely find a happy ending in my work.
I believe the life of every person is worthy of scrutiny, containing its own secrets and dramas.
Documentaries deal with people who live real, everyday lives. But if these people trusted us and told us the truth about their lives, it could be used against them - which sometimes happened.
Do people really want liberty, equality, fraternity? Is it not some manner of speaking?
It's not interesting to achieve; the ways of achievement are interesting.
I can't imagine life without Poland. I find it very hard to find a place for myself in the West.
I am trained as a film-maker. There is nothing else I can do.
I have no problem being with people of different nationalities.
In believing too much in rationality, our contemporaries have lost something.
There are mysteries, secret zones in each individual.
In real life, there are names that surprise us because they don't seem to suit the person at all.
We're always looking at this love through the eyes of the person who is suffering because of this love.
The television industry doesn't like to see the compexity of the world. It prefers simple reporting, with simple ideas: this is white, that's black; this is good, that's bad.
I was happy when I got into film school. I'd simply satisfied my ambition to show them that I could get in - nothing else - although I do believe they shouldn't have accepted me. I was a complete idiot. I can't understand why they took me. Probably because I'd tried three times.
I really don't know anything about music, and it's no great experience for me. But I do think that music has a purifying element.
If I have a goal, then it is to escape from this literalism. I'll never achieve it; in the same way that I'll never manage to describe what really dwells within my character, although I keep on trying.
It's with pleasure that I'm putting film-making aside. I never enjoyed making films. I didn't like the whole film world - an invented, unreal world whose values are completely different to those I'm used to.
Of course I'd like to get beyond the concrete. But it's really difficult. Very difficult.
Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory.
Things have changed for the worse. That's why former eastern bloc countries are electing communists again. We are missing them and longing for the times we cursed before.
