A life lived unexplored is a life not worth living.
Kirk Hammett
Because of things like iTunes and streaming and social networking, it's destroyed music. It's destroyed the motivation to go out there and really make the best record possible. It's a shame.
My guitars are my umbilical cord. They're directly wired into my head.
After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'
Jeff Beck is one of my heroes and has been since I first picked up a guitar.
Everyone has a side to them that's kind of unexplained and feels misunderstood.
I would have to say I'm bored with the standard rock, guitar solos, but I've done it for five albums now, and this time I wanted to go in a completely different direction. I wasn't interested in showing off any more.
There's something about a wah pedal that really gets my gut going! People will probably say, 'He's just hiding behind the wah.' But that isn't the case. It's just that those frequencies really bring out a lot of aggression in my approach.
The concept of clearing one's mind before performing a task so that it is consumed by nothing but that task, yet is open at the same time to anything that might happen - that concept can be applied to playing guitar, and it's enormously helpful for improvising.
One thing I've noticed over the years is that young players - I mean 10- and 12-year-olds - really like my guitar style. There's something in my guitar style that they totally can latch onto and learn quickly, and then go from there to your Yngwie Malmsteens or your Steve Vais or whatever.
We wanted to offer something new to our audience. I hate it when bands stop taking chances.
When I got my first Marshall amp, it was so empowering. No one ever forgets their first Marshall amp if you're a guitar player pursuing a big powerful sound. I mean, no one ever forgets their first Marshall amp.
I fix things all the time. Every time I do a solo, I re-check it and correct things that don't hit the mark.
For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day,' I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
I feel like I've matured more musically than I have personally. But I totally embrace what becoming older has to offer. I find the wisdom that comes with each passing year is a trip.
If I had unlimited funds, wall space and storage, I would collect a lot more things, like 'Planet of the Apes,' 'Star Wars,' science fiction stuff, autographs, and prop guns and weapons. I have to draw the line somewhere.
Metallica is like the phoenix rising from the ashes. We set everything on fire, and this is what has risen from it - 'St. Anger' being the fire and 'Death Magnetic' being the phoenix.
The word 'retirement' doesn't really sit well with me. There comes a time when you reach a position in society or culture where people will not let you retire. You can say, 'Alright, I'm going to hang up my guitar,' but people will still not let you retire.
Just because you know umpteen billion scales, it doesn't mean you have to use them all in a solo.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
Musically, there's a movement called the flatted fifth that's really evil-sounding. It was outlawed by the Catholic Church during the Middle Ages. That movement is what gives you a real evil sound that conjures up dark, fantastic images. It's like an audio horror movie. It personifies what a horror movie is about.
I've always loved horror, I've always loved collecting, I've always loved weird and macabre things, and I've always loved conventions. So what could be better than having your own Fear FestEviL where all those great and crazy things can be enjoyed by like-minded people under one pretty cool roof? Nothing!
I feel really fortunate that, in playing guitar and surfing, I've found two things that mean so much to me, and which really complement each other. There's definitely a spiritual thing to both of them; they totally connect you to a higher realm.
I didn't want to fall into the trap of competing with all these other great guitar players. I just want to sidestep the whole thing and get out of the race.
Ampeg made incredible guitar heads in the early Nineties and then stopped. And I don't know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio.
Guitar playing is both extremely easy for me and extremely difficult for me at the same time.
For me, one of the most perfect times to watch a horror movie is when it's cold and raining outside and there's pretty much no outdoor activity to be done. It kind of sets the mood.
I've always been attracted to the darker things in life. I was never one to go for light, airy stuff, even as a child. My whole aesthetic has always been one of the darker side. That rings true also in my tastes in music. It's just always something I've gravitated to naturally.
I've been into horror movies ever since I was five years old.
When people are confronted with something they've never seen before, they really don't know how to react.
A lot of the main characters in horror movies are outsiders as well, so that outsider syndrome reverberates within horror fans and geeky collectors. It's kind of a rallying call that brings fans and collectors together who are a little socially retarded, maybe.
The movie 'Black Cat,' from 1934, is one of my favorite movies.
The only problem I've had with my Vox wah is its tendency to move around on the floor. So now it sits on a rubber mat that says in big letters, 'Kirk's Wah-Wah Rug.'
It's definitely true that Stevie Ray Vaughan is one of my all-time favorite guitarists.
I think it goes without saying that a lot of big horror fans are just nerds and geeks.
For 'Death Magnetic,' I used what I always use, which is my standard touring rack, which is filled with some Boogie stuff and a Marshall that I've had forever.
One of my favorite horror films of the Nineties was 'Event Horizon.'
Metallica is a very complicated, fragile thing. On the outside, it's all metal, but on the inside it's very delicate.
I love horror movies in space. I love it when the genre switches over and what was sci-fi becomes horror.
I love this pedal to death. The only way you could keep me from playing one is by chopping off my legs!
I'm death obsessed. You know, I have death all over my house. I have a stuffed two headed sheep!
I don't think success has changed us as people at all. We are the same lunatics that we were when this band first got going. We never see ourselves as being on a higher level than our fans.
Guitar players in the nineties seem to be reacting against the technique oriented eighties.
I think it's morally wrong to keep someone away from what keeps him happy.
Horror movies started to wane around the onset of World War II, and after World War II, when all the troops came home, people weren't really interested in seeing horror movies, because they had the real horror right on their front doorsteps.
I was really, really wild in my early twenties and a bit self-destructive.
My musical tastes change every week.
Deep Purple definitely belongs in the Rock and Roll Hall of Fame. 'Cause they had great songs, great musicianship, they had an impact, and they're a huge influence on the heavy metal community as a whole.
It really shocked me just to hear of the fans' response to 'St. Anger' not having guitar solos.
When I see my kids totally into their Legos, it brings me back to the days I was hanging out and playing with my monster models. It brings me there in a second.
