Fame is as much about luck as it is about talent, perhaps more.

You know, you have to have some inner philosophy to deal with adversity.

Virtue is not photogenic, so I liked playing bad guys. But, whenever I played a bad guy, I tried to find something good in him, and that kept my contact with the audience.

When you reach 95, after you get over your surprise, you start looking back.

If I have to speak in public, I am terrified.

I was conscious of my father's fame from the time I was 6.

Love has more depth as you get older.

If you want to know about a man you can find out an awful lot by looking at who he married.

I didn't start out to be a movie star. I started out to be an actor.

Cancer does give you a new rejuvenation. I know what it's like to be down. I lost a couple of good friends - Larry Hagman and Nick Ashford - who had the same type of cancer that I did, and that makes you think.

I love talking to interesting people - people like O.J. Simpson, Andretti... I love champions. A champion has something special about him.

I never had any desire to be a film actor. I never thought I was the good-looking movie type, which I assumed they wanted.

People are composed of many things, and in my work, what influences me is the complexity of people - the chiaroscuro of dark and light. When I play a strong guy, I try to find, where is he weak? And, conversely, when I play a weak guy, where is he strong?

Sometimes an interviewer will look at me and say, 'You're bright!' They're actually surprised I might be bright.

I was not a very good Jew. I never practised what Judaism tells you to do, to teach your kids all about Judaism.

Fifteen years ago, I suffered a stroke, which caused me to lose my speech. Now, what does an actor who can't talk do? Wait for silent pictures to come back? I work with a speech therapist twice a week.

What would my parents think about America if they arrived here today? Would they even want to come? I wonder.

Too often, I have not been what I wanted to be; I've succumbed to pressures. Yes, I have. The things I've done that I liked, I've always done against advice.

My first job was on Broadway. Then I went into the Navy. When I came out of the Navy, I went back to Broadway and a friend of mine, Lauren Bacall, was in Hollywood filming with Humphrey Bogart. She told one of her producers I was great in my play, and he saw it and cast me in 'The Strange Love of Martha Ivers'.

My four sons all knew I was a Jew, but they were allowed to be whatever they wanted to be. The only thing important to me was that they be good people who help other people, because all religion should try to make you a better person and a more caring person. Whenever religion does that for you, it's a good religion.

When I first came to Hollywood, the blacklist was just starting, and they were having hearings in Washington. What most people don't know is the judge of these hearings himself was later convicted of misappropriation. 'Spartacus' helped break the blacklist, because Spartacus was a real character.

People are always talking about the old days. They say that the old movies were better, that the old actors were so great. But I don't think so. All I can say about the old days is that they have passed.

Now, what does an actor who can't talk do? Wait for silent pictures to come back?

When you have a stroke, you must talk slowly to be understood, and I've discovered that when I talk slowly, people listen. They think I'm going to say something important!

Acting is a youthful profession.

I have been an actor for most of my life. When I started out, I didn't think about anything except what was good for me. Like many movie stars, I became all wrapped up in myself.

I know Italians and I like them. A lot of my father's best friends were Italians.

My mother, we were a very poor family. When I was a kid, we would be in our little room, and there would be a knock on the door almost every night with a hobo begging for food. Even though we didn't even have enough to eat, my mother always found something to give them.

I was living in a terrible time when people were being accused of being communists, and they attacked the movie industry, especially the writers. People couldn't work if they were on the blacklist. The studios banned them. It was the most onerous period in movie history. I don't think we have ever had a period so dark as that.

All my life, I have taken inventory at intervals. For example, when I became a movie actor and suddenly I had to deal with fame, money and playing so many roles, I lost myself. I said, 'Who am I?' And I wrote my first book to deal with that, 'The Ragman's Son.'

I have studied religion, and I have concluded that there is some power. We don't understand it.