If you grow up fat, you have to try harder.

I liked hockey, and I still like hockey.

You know, comics and movies, even if you take a comic and turn it into a movie, we can't all be Joss Whedon.

Oh, I'm online all the time now. I'm not an outdoorsy type.

I've always kind of ripped from real life to some degree or at least how I'm feeling in the moment.

Generally, I wake up, honestly it's creepy, but I wake up around 4:20.

There's something to be said for failing. It's not the failure you feel, it's the failure that people project when something disappoints. You're back to ground zero, where there's no expectations, and that's where I like to be.

I sympathize far more with heavier people than I ever will with thin. I'll never be thin. Let's be honest.

The first few films I made didn't look good at all, and I wasn't trying to make them look good. People dig 'em because they like the content.

It's too expensive, that's the thing nobody wants to talk about. It is too expensive to make movies. That's not true, it is too expensive to market movies. Making movies is not.

In anything I've ever written, all the characters sound like me, which I don't think is a bad thing. It makes sense. But I had always admired filmmakers who made movies that didn't sound like them at all.

When you're an artist, all you're trying to do is self-express.

It's kind of debatable whether or not the advertisement model is effective. Like whether Nielsen works. For years, Nielsen has been based on sampling. It's not like an electronic bullet that hits your house that tells the people at networks at all times what you're watching.

I grew up in a pretty gay world - my brother's gay and he's been married to a man for 20 years, which is like 60 in straight-people years.

People wanted more advice. So I finally thought I could totally put this advice into a book.

It's taken me 15 years to step behind a camera and make something everyone agrees looks like a movie.

From now on, any flick I'm ever involved with, I conduct critics screenings thusly: 'You wanna see it early to review it? Fine: pay like you would if you saw it next week.'

All these people who say success changes people; well, no, it just magnifies what's there.

The writer crafts their ideal world. In my world, everyone has really long conversations or just picks apart pop culture to death and everyone talks in monologue.

I feel like if you're in Jersey, you have to be a Jersey Devils fan. Anybody born within the confines of the border of the state of New Jersey, I feel, should be a Jersey Devils fan.

The older you get, the more you realize you cannot win on the Internet.

I always wanted to see if I could sell a movie to the public without doing any marketing because my philosophy was like, 'Hey man, I'm reaching my audience everyday. I'm twittering with them. I'm in direct contact with them on the podcast.'

The only thing of value I have in this life is my ability to tell a story, whether in print, orating, writing it down or having people acting it out. That's why I'm always hoping society never collapses because the first ones to go will be entertainers.

Indie film isn't dead, it just grew up.

It's like a dream come true. When somebody is paying you to talk about yourself, you've won.

Haven't two hundred years of failed missionary work overseas taught anybody anything? You can't convert people to anything - whether religion, or something as inane as our flicks.

I'd see movies, comedies, and I loved 'Animal House', I loved all the John Hughes stuff, but I never saw me and my friends totally represented.

Any book is a self-help guide if you can take something from it.

I think: 'Wouldn't it be great to work with Bill Murray?' And then I'm like, 'You know what, just appreciate Bill Murray from afar, don't find out that maybe he's not the dude you want to work with.'

If you're lucky, you go from being a movie fan to a movie maker.

So I know how I watch movies which is on my laptop, man. And that's how I suspect a lot of people do it.