I learned through experience that it doesn't work for me to talk about my personal life. I've had earlier times in my career when I did talk about it.

I didn't grow up thinking I was pretty; there was always a prettier girl than me. So I learned to be smart and tried to be funny and develop the inside of me, because I felt like that's what I had.

I'm here not just as an actress but as a woman, an African-American, a granddaughter of Ellis Island immigrants, a person who could not have afforded college without the help of student loans and as one of millions of volunteers working to re-elect President Obama!

I think as a whole America is dealing with the issue of homophobia. We got to be really honest about whether we believe in civil rights for all people or not. As Black people we need to remember the moment that we say it's okay to disenfranchise one segment of society, we're opening the door to move backward on ourselves.

I don't talk about my personal life in the press; that's how I kept my wedding a secret.

You see the transformation that the arts have on young people. It changes their lives for the better. That's where my engagement is.

I think most people, when they think about the Black Panther Party, they think in very abstract, caricatured terms. They think about black fists in the air, but they don't think about the actual people, and the families, and the relationships.

I always prided myself on the fact that I could live out of milk crates forever. It was kind of my way of detaching from materialism.

I've never been comfortable being a pawn. I work with brands where I feel like I can have my say and companies that I'm proud to be in a relationship with. Partnerships take a lot of time. If I am going to put my name and my face and my energy behind something, I want it to be authentic.

Making the unbelievable believable is different on a set with 'Fantastic Four,' where it's like, 'Wind machines! Because the airship is coming in and you're pretending to be afraid!'

I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.

I feel like any single woman of color who's been onstage has a Shakespeare monologue in her back pocket, and a monologue from 'For Colored Girls.' It's just part of what you should have, as a woman of color.

I grew up in New York, so I fell in love with acting on a stage, not in front of a camera.

I come from the theater and I plan to always do theater. So I don't really see myself not being able to act even if people don't think I am sexy enough for film at 40, I'll still be acting.

I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So, for me, I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.

I've always been a writer because I've always been a student. My mom's a retired professor, so I come from a very academic background. I love writing, you know?

About a year ago I got really exhausted from reading bad scripts and I know that I am a writer and that I have stories to tell, so I thought, 'Let's do this!' So I'm co-writing a screenplay now with another screenwriter and loving it. Absolutely loving it. And I would like to be the producer on the project and of course the lead is me.

I really love research. It's one of the things I love most about my job. I feel like it's me in the lab cooking up the character.

Every actor you work with has a different method, same with the director. You have to figure out what your shared language is and how to best support each other, and also take care of yourself.

As a young girl, my real dream was to be the woman in the shows at SeaWorld.

I wouldn't just come home from school and watch TV everyday, they had me involved in lots of local theatre. I was a very dramatic, talkative child. And that was part of my mother's creative solution - to put me in workshops and classes and children's theatre programmes.

People don't think about the fact that when Barack Obama's parents had him - it was illegal for them to be married in several states in this country. So if we start making it okay that certain people can marry and other people can't, it's a slippery slope of civil rights. Who knows who is going to be allowed to marry or not marry next.

I have to take care of myself in order to live life the way I want to. It's important to have rest days. But in the long run, if I don't work out for, like, three days, I feel worse, not better.

I'm a person who's always been politically active and passionate about people's rights.

Earlier in my career, I was much more super-sharey. There were moments when I wanted to process things that were happening to me more privately, and I didn't have the space to do it, because once you let people in, they're in, and you don't get to say, 'Oh, I want this for myself.'

When I think about any of the missteps in my life that I've made, all of which I'm grateful for, it's because I just so wanted to be truly seen and heard for who I am and was afraid I wasn't or wouldn't be.

I don't think I consciously say, 'What would Olivia Pope do?' but there's a new thread of belief in my own capacity that I think comes from her. She makes it happen. She figures it out. She fixes it.

I'm always working. My cousins call me the longshoreman of actors.

I really try to let my friends into all of my life. They know that Red-Carpet Kerry is a version of Kerry, and they know that DNC Speaker Kerry is me.

I learned through experience that it doesn't work for me to talk about my personal life. I've had earlier times in my career when I did talk about it.

I have girlfriends in this business who talk about their personal lives, and it works for them, and I love it. But not for me.