You don't have to have magic unicorn powers. You work at it, and you get better. It's like anything: You sit there and do it every day, and eventually you get good at it.

There's just as many different kinds of feminism as there are women in the world.

I'm just working and having a good time and seeing what develops, which is so awesome, because you don't know what's going to happen, and I'm letting myself do that a lot more than I ever have.

I felt it was really, really important, not just in the vein of feminist erasure or whatever but also just as an artist that I honored my work.

I don't want to be a historical action figure or treated like I'm dead. Like one of those people where they go, 'Oh, isn't she dead?' And then I walk up, and they're like, 'Whoa.' I can't really complain... because I've made myself into a historical action figure. I was like, 'Yeah, come on in!'

Women didn't want to be on the stage with other women because they didn't want their bodies to be compared. They didn't want another female act opening for them because of this weird competitive and tokenistic attitude.

That's the great thing about music. You can find some '60s pop record and feel completely invigorated by it, even though it's so old.

I always thought that putting tons of reverb on my voice was kind of the equivalent of airbrushing. And I wanted other girls and women to hear a real female voice that wasn't completely manipulated.

Sometimes, being a feminist artist, there are times where I'm in a position where I just want to feel like I'm saying all the right things politically, or I feel like I have to mention my own project over other people's projects. But I don't do that anymore. I just want to be off the cuff and honest.

Defining art is huge; I feel like it's such a subjective thing. It's more like what's not art. You know what I mean? I think there can be an art in the way people live their lives, and art can be a gift someone gives to somebody.

I like loud snare, and I like really treble-y guitars, and that's just never going to change.

It's unexpected for women's issues to be brought up in places other than women's centers on college campuses or crisis places.

I wanted to make something that I wanted to hear that I wasn't hearing.

Art revolves around creating something that isn't there.

I was in a band in the '90s called Bikini Kill, and we were so freaked out about documentation then, and there was the whole thing, not just about the male gaze, but that people were going to misrepresent you... a kind fear of the mainstream that a lot of us had.

People have always had these weird things about how you have to be really good looking to be a singer.

I think as a culture, we don't like conflict or looking at icky stuff - especially in our downtime.

If I had to choose between the band or the friendships, I'd choose the friendships at this point.

Feminism rotates between backlash and interest. And the cool thing about the Internet is that it's allowing women more access to their own history. Part of the problem before the Internet was that we didn't know which books to read. Someone had to tell you.

Facing sexism and racism and classism and transphobia, there are ways to choose to act in those situations, and there shouldn't be a prescriptive list of things that you have to say.

Not to rag on myself, but when people say, 'What does it feel like to be an icon?' I'm like, 'My dog does not think I'm an icon, my cat does not think I am an icon, my cousin does not think I am an icon.' I have a really lovely group of friends, and I just don't think about it.

I always tell girls who say they want to start a band but don't have any talent, 'Well, neither do I.' I mean, I can carry a tune, but anyone who picks up a bass can figure it out. You don't have to have magic unicorn powers.

I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.

Find something you really love doing and mix it with something you really care about. That's why I've had such longevity as an artist. I really, really care about ending violence against women, and I really, really love playing music. It's super enjoyable!

If people are like, 'Oh, you're an icon,' then whatever. But who thinks of themselves like that? It's not like I have posters of myself on the wall.

To make riot grrrl move into the future in a new way with a bunch of new names and a bunch of new energy, younger people have to learn about it and apply it to their own lives and own modern conversation. And they are.

While everyone's experience of oppression is different and complicated and often overlapping, I really believe that if you have privilege, you need to learn as much as you can about the world beyond yourself.

I especially don't want men coming up to me and asking if sexism still exists. It's like, I'm seriously gonna barf a McDonald's salad on the next person to do that.

I can't constantly be trying to write the unwritten song, the song that the 15-year-old girl needs. I need to write the song that I need.

Singing is my life, and I have to do it, or I'm going to go totally bananas.

I think music can definitely be art; I also think music can be crap and not be art.