There are very few things that surprise me.

It's incredibly moving to hear some of our greatest actors performing Shakespeare.

In the theatre you can change things ever so slightly; it's an organic thing. Whereas in film you only have that chance on the day, and you have no control over it at all.

Sometimes nudity is gratuitous. We just live in a society where everything goes.

I've always loved painting, although I never show anyone what I've done. Mainly because I don't do it well. But it's like a form of visual diary for me. A way of fixing things in my mind.

Michael died five years ago this January, and the first thing that really struck me about the script was the part about her peeling off from the funeral and just getting into a rowboat and having a real kind of cry where nobody was.

I think you've got to have your feet planted firmly on the ground, especially in this business, and you must not believe things that are said or written about you, because everything gets out of proportion one way or the other.

My husband was actually very keen that I would become a Bond girl.

The Lord Chamberlin was censoring scripts when I first came into the theater.

It is true that there are few plays of Shakespeare that I haven't done.

The difficulty with any sort of esteem is that more is expected of you.

I don't really want to retire. I intend to go on working as long as I can because I still have a huge amount of energy.

I was in Yorkshire. We were a family of five and I used to be sent sometimes to get the rations for the week and I was easily able to carry them back. It was like one egg and a tiny bit of tea.

I've got what my ma had, macular degeneration, which you get when you get old.

And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most.

I have no control over a film. I don't know what will be left on the cutting floor.

I've figured out what to do so far, but it's always the next thing you come to where the man with the bucket of ice cold water is waiting - whoosh! in your face. That's why you work with directors who know what to tell you to do.

In contrast, the control you have in a theatre is very attractive to me.

It actually was a complete departure having a woman playing M. I didn't realize at the time that it would be so noticed.

It was good to learn so early. They're not going to be kind to you. You have to do it and get on, and then gulp down and get better.

Since Michael died I think I've worked constantly. Friends and colleagues are very sustaining. They're the people who get you through it... It's no good to be on your own.

I am so thrilled to be nominated for something I loved working on every single day.

I can't read scripts any more because of the trouble with my eyes.

I'm very conscious that I'm in the minority in that I love what I do. How big is the number of people who are running to work to do a job that they like? And how lucky to be employed at it - how incredibly lucky.

I wanted to be a set designer when I was young.

I'd rather do a part because I want to, not because great things are expected of me.

People seem to have this idea that I've always been very ambitious. Nothing could be further from the truth.

Work certainly does help fill a void.

I don't think that care homes are all rotten old places that ought to be shut down.