I think one of the coolest things you can do is disappear for a while, because it gives you the chance to re-emerge. To sort of pounce out of the jungle.
Josh Homme
Vinyl has gotten to the point where it's exclusively for the collector, I guess.
When you expect anything from music, you expect too much.
The language that we use now impacts on the ability to vote, it impacts on the marketplace; instead of making things clear, it makes it more confusing. I think we need to stop using neutral language and speak in straighter terms. So when you agree to something, you actually get what you agreed to in the first place.
I like to move forward and notice things along the roadside that indicate where I should go.
I don't think it's good to run on anger, but it's really great when that's the first couple of gallons in your tank - when you've had enough, and you're just pissed off enough to go for it. In a lot of ways, that sort of environment can be a catapult for a great situation.
I'm a fairly upbeat and happy guy, you know? I don't like people that feel sorry for themselves, and I traditionally stay away from people like that.
I think you can separate yourself from your fears. You know what you should do, and it's just scary to do it. But I'd hate to let the fact that I'm scared to do it make me not do it. It ends up defining you. Because the moves you make are then based on what you don't want to do.
I think I learned years ago when I went to Hawaii that you don't bring puka shells back. You've got to be careful of your vacation purchases.
I'm always looking for cool stuff to do because that's what we're supposed to do, ya know?
If you wanna be famous, then it's okay if the music is fake, because fame isn't real.
I've always had a sick sense of humor, and I've always wanted that to permeate the music because I don't take myself seriously. I take the music seriously, but I know I'm not God's gift to anyone except my mom.
I think part of what happens is that small labels want to get bigger. And bigger is not better.
So the thing is to put out music for music's sake.
All I really care about is that I'm being honest and I'm real and I'm coming from a real place. There's a part of me that's a total cad and a part of me that's also a family man.
I look at my career as a body of work, not just Queens of the Stone Age records. I'm in Eagles of Death Metal, I'm in Them Crooked Vultures; I make records with other people.
The first record I bought was a Carl Perkins record, because I saw him at The Festival at Sandpoint, Idaho. I loved Elvis and I found out that he wrote 'Blue Suede Shoes'... so connecting that experience of going to see him play was pretty awesome. That's when I realised I wanted to play guitar.
Sometimes you actually get caught in the web of things where people are talking about... what kind of breakfast cereal you like.
Music's supposed to be real. When it really touches you, it's supposed to be real.
The expression of this idea is Queens of the Stone Age, but the idea is that you will never slack on the music and will always humble yourself at the alter of Rock.
I have this coat that I got in a nefarious deal years ago. It's a Johnny Carson coat, and I've had it remade three times. It's mine all the time. Carson was a real man, and I thought, 'Coats for real men by real men? I'm in.'
Making people uncomfortable is one of my hobbies. I'm always hoping that half the people get the joke and the other half are the joke.
Sometimes hard decisions have to be made, and sometimes wonderful decisions have to be made. You've got to be willing to make them all.
I know there are some labels that put out music for art's sake, but I don't know which ones.
I've always considered myself a workaholic... The way I work, I have to turn myself upside down and hang myself by my ankles and wring myself out like a wet sweater, and I have to do that with other people, too, because I think that's where something good comes out.
Really the topic of breakfast cereal is generally a very boring one.
The problem is that music is selfish in that you need to make it for yourself, so that you can give it away, and those two things don't jive. I needed to find the right reason to play that had the magic and mystery and excitement that made me want to play in the first place.
Guitar solos, to me, should be a really articulate way to make fun of guitar solos.
I think if you play music and you join a scene you're already too late.
The first time Kyuss was about to get signed, they're like, 'We'd like to sign you!' and we just said, 'No! Forget it!' because we thought people were always trying to invade everything.
I'm not so much of a joiner.
I'm just going to put out three or four releases a year and make it so that if you like the Desert Sessions, then you'll definitely like everything else.
Music is the only thing I've ever known that doesn't have any rules at all.
You got to risk something to be able to give something, you know?
I don't mind saying what's on my mind.
Why would you choose being bitter over choosing to make music? Being bitter is gross. It doesn't amount to anything.
I've always heard music in my head since I was a little kid, so I've always played towards that. If I felt bad, that's what I did.
When it's time to make music, that's about getting lost for me. To be a control freak is not half as good as being a freak who's casually in control. You're feeling around in the dark for something that feels good.
Sometimes Queens' music is dark, but somehow it's ok to deliver it with a smile on your face because thing's are still going to kick in.
Ultimately, words are only words, and its only the music that stands by itself.
I felt really free, like I could do anything, because no one would know what to expect.
I like to keep my feet on the sidewalk.
I think everyone is trying to figure out who they are and their own thing.
I like when people take chances.
Well, I think what's most important is the idea of something.
I think people get fixated on the example of an idea.
Not everyone deserves to be a musician, you get lucky enough to be one.
I think more people need to make out.
I think people listen to whatever they think is good.
I asked my friend Greg Andersson to introduce me to people that can distribute my album.
