Everything is finite, right? Nothing can last forever.
Joe Russo
I find that when I watch films where the villain is more complex, I find that it makes the heroes more complex and ultimately, in the story, more interesting.
Chris Nolan went through Slamdance a year and a half after us, and he went on to direct 'The Dark Knight.' So the joke now is if you want to make superhero movies, that's where you have to go.
We tend to intensely scout an area and then use our imaginations to make the best use of the geography.
If you look at what we did with 'Winter Soldier' with the Cap character in terms of bringing him into the modern world, trying to ground the movie tonally into something that was a step toward real-world, at least to the degree you can do that in a superhero movie, that's still the tonal universe that we're playing in 'Civil War.'
We feel a lot of the future of storytelling is going to be in the VR space.
With a character called Captain , you have to address the concept of who he is because his identity is tied to his country.
If you're a comic book fan, you know that any epic book, you would open it up - as a kid, I would just go through and look at who was fighting who. I'd stand there in the store for 15 minutes until the guy told me to buy the book or get out.
I've been collecting comics since I was 10 years old. One of the first books I ever got my hands on was a Captain America-Falcon team-up.
It was always the intent, in a larger arc, to split the Avengers up before the greatest threat that they've ever seen.
I'm Italian, so I absorb other cultures through their food.
What we love about working at Marvel is they'll have a crazy opening for a movie like 'The Avengers' - like, a record-breaking all-time opening - and you get to the office on Monday, and they don't even have a pizza; it's back-to-work time.
In 'Winter Soldier' - in terms of character-based, 'Winter Soldier' was so specifically for us: everything in that movie was designed around that version of Captain America that we wanted to see, that we wanted to explore. Everything in that film, all of the stylistic choices just flow from that.
Our job with Thanos is to make him the preeminent villain in the Marvel Universe. That is his role in the comics. That's his role in these movies.
We took a very interesting journey from being really extreme art house filmmakers. But we find that working in commercial filmmaking and creating a brand on that high level affords us a lot of interesting opportunities.
You look at 'Arrested Development' or 'Community,' we're constantly either deconstructing genre or tone. We like to say it's like being a mad scientist: you get to play in a laboratory and experiment with directions to take narrative in.
We grew up near a cinematheque in Cleveland, so we were very influenced by international cinema, the French New Wave, Italian neo-realists.
I like acting a lot, but it's not something I get out of bed for every day.
We made 'Pieces' in Cleveland with zero connections to the film business. Absolutely zero.
The template that 'Infinity War' is following is a very different, complex template because you've never seen so many characters in one film. It obviously has to be a multi-perspective film.
We grew up on Scorsese and Coppola and '70s crime thrillers.
We always try to make each film different so they don't get repetitive.
My brother and I are politically-minded guys.
I sat in a theater when I was 11 years old and watched 'The Empire Strikes Back' from 10 in the morning until 10 at night the day it came out.
I think movies moving forward are going to become long-form storytelling.
I've been fortunate enough to travel to Edinburgh a few times over the last few years, and I just loved the city. I find it one of the more beautiful cities in Europe.
We like smashing genres into each other, so if you can find something that's really idiosyncratic in respect to superhero genre and you can smoosh it into it, you usually wind up with something fresh and different.
Heroes are a way to remove yourself from what may be difficult concepts to talk about in your life. They're a way to get some distance and have an experience in a theater where you're confronting those issues in a way that's safer for your psyche.
We want to empower artists and filmmakers to forge new paths.
The feature space is a spectacle space. It's about getting people out of their houses to go to theater when we all have a lot of things in our home now that occupy our attention.
I think that what people love most about the Marvel universe are the characters.
I was a comic book nut. For real. I still have a collection in my closet.
As filmmakers, we love ambitious storytelling; it's one of the reasons we pushed to do 'Civil War.' We want to be as ambitious in scope as we possibly can.
What we do is service a story first, and then you figure out how to pay for it later. If the narrative isn't your primary focus, then the movie is going to become diluted, and you don't have a movie that is as good as it could be, so it probably won't make as much money.
We began in indies, and maybe we'll make another smaller film again sometime.
As filmmakers, we are interested in unique voices.
Tim Miller is a very good friend of ours. We'd love to see 'Deadpool' jump into the MCU.
I've had emotional experiences in VR that I haven't been able to have in two-dimensional experiences.
Anthony and I are putting together a company where we won't lose our jobs based on quarterly earnings and can afford to play a longer game. That short game is what creates a glut of mediocrity in the market because people are desperate for hits, and it puts so much pressure on executives to deliver them. We will take that pressure off the artists.
If you're a fan of auteur filmmaking, I'd say get yourself invested in some really good TV shows.
We never intended to be comedic directors; it was just something we fell into.
I'm more compelled as an artist to see diversification than I am to keep watching an Anglo point of view in storytelling.
I always say one of the great scenes from 'The Dirty Dozen' is where Jim Brown has to get grenades in the chimney.
There's always loose points that people bring up, which is great, and I think that's why you read criticism is because you want to see what worked and what didn't work, and certainly you have to filter it because there's a lot of people who just love to troll.
Characters have to make sacrifices. To really, really feel the true emotion and the hero's journey, they have to go through trials, and those trials could cost them something.
'The Infinity War' is meant to be a culmination film. It's meant to join together all of the Marvel Cinematic Universe against an incredible universal threat - Thanos.
I think there's a lot of people in their dingy boats in the middle of the ocean pining for the days of closed-ended narrative.
We love being told good stories, and we love telling good stories, and all of our energy and our effort and our thought and our passion goes into telling the best story that we can.
Disney represents the future of filmmaking in North America.
'Avengers 3' has a beginning, middle, and a very definitive end, and 'Avengers 4' does the same.
