Take life on life's terms - one day at a time. And have fun while you're doing it.

I've been going long enough to prove what I wanted to prove, to get the girl I wanted to get, to make the money I wanted to make, to drink all the beer I wanted to drink. I've played - not exactly everywhere, but I've played enough places.

Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.

The media plays up celebrity a lot, but it doesn't hold a candle to being a scientist. There's a lot to be said for what they all do, and are trying to accomplish.

Music is music; you don't have to put a label on it.

After a while, no matter how much you love any pop song, you're going to get tired of it. That's the way it is with any entertainment. It's good when you first hear it or see it, you like it for a while, then it gets old. It gets chewed up and spit out and it's done.

For years I've wanted to find some guys that I could work with, because I realized a long time ago that I can do a lot of things other than Aerosmith.

Five years after Aerosmith got back together, I realized how fragile we are as humans. There was a time I thought we were bulletproof, but then things happened and I came to the realization that I had to play every gig as if it was my last show. You have to start thinking that way, because you never know what's going to happen next.

Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.

I've always felt you are only as good as your next album or next show. What you've done is done. When you get a gold record, you hang it on the wall, and then it's like, 'Yeah, next?'

I collect firearms, and I've got a Winchester, an Indian rifle. It has tacks for every warrior that was shot, like notches on a pistol, and it's got feathers and beads hanging off it. It's like a work of art.

I don't think there's anything anybody's doing that the Beatles didn't at least try at some point.

Sometimes when a record's done, I'm satisfied and I won't listen back to it for a while 'cause I'm usually pretty tired of the songs. Then I've got to learn them again to play them live, and sometimes it takes a while to realise it's a really good record.

The kids get a vote. That's very important when it comes to raising kids. And always keep the bigger picture in mind.

I've seen bands split up for five years and do nothing. That sounds great to me, but it just hasn't worked out that way.

When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.

If you get satisfaction out of playing music and entertaining people and it makes you feel right, then go for it.

'Back In The Saddle' - I never realised what a good riff that was, or at least how much it satisfied me. And when we play it live, it comes across much better than I ever expected it to.

Hopefully I'm bringing to rock n' roll the kind of spontaneity that I love, and always believed rock and roll stands for.

I have seen more bad songs make it because of MTV than good ones that haven't.

I was very fascinated by the time when firearms went from being fire sticks to being something people could use to hunt and to survive.

I think people have to be more aware of what the repercussions are of their actions.

Aerosmith is such a powerful band; I mean, it's like a steam locomotive.

I think that... the age of just slapping songs into movies, that's done.

I don't see anyone avoiding the Stones because DJs make jokes about them being a part of the Geritol set. All it does is make the DJs look stupid.

When Tom Morello picks up the guitar, I'm sure what he sees is totally different from what I do, but I love the way he plays.

People spend their careers trying to figure out what makes a hit single. But I learned a long time ago that you can't anticipate what people want, because it's always going to change.

The Beatles had some juice when it came to distortion, but Clapton was finally able to break through those early studio engineers' fear of overloading. He defined the sound that guitarists spend the rest of their lives trying to get.

I've come to realize that you live on through recordings; they're like a musical diary, a window into somebody's soul.

Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.

Y'know, I don't like jazz much. I'll put it on once in a while and listen, and I'll appreciate it.