For any writer, a red pen is such a trigger.

Rehab is like a divorce.

When I hear somebody like Hayes Carll write a song that's touching and poignant and sad and funny all at the same time, it motivates me to step my game up and try to figure out a way to get more different emotions into one line or one song.

If I spent my time wondering about what genre I wanted to be in or where I was on the charts, I wouldn't be able to write these kinds of song. I'd be too busy doing other things.

What having a child - and especially a daughter - has done is lifted more of the veil for me: allowed me to see things on another level compared to how I used to see them.

As my life changes, it gives me new things to write about.

A lot of people in Nashville think that the best song is the catchiest or the one that sells the most copies. They're editing songs in a way that make them seem more consumable, I guess. I'm trying to edit them in a way that makes them more honest.

I like those kinds of songs that have details that you remember and that have stories that mean something and that open up into different levels philosophically. I like those kinds of movies, and I like those kinds of books.

I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.

A lot of people make records where there are a couple songs worth listening to and you skip through the rest, and I don't want to do that because those records bore me pretty bad.

There are definitely some nights where the show is over, and you're on the bus or a hotel room, and it's sort of a shock to go from being in the atmosphere of a club or a theater and be at your own show to being by yourself in a hotel room.

Physical labor, manual labor - if you can stay close to those folks, there's always plenty to write about, 'cause their issues are real issues.

You don't have any kind of control ultimately. Things are just going to happen as they will. And I think your best option sometimes is just to react rather than try to plan everything out in advance.

Man, that Jim Lauderdale always looks good - he's got more western suits than anybody.

I don't care what 'Pitchfork' says. They write from a place that's a little too self-aware for me to really give a damn about what they're talking about.

If you're the person whose problems were solved when you were born, your job is to try and help the people who aren't in that situation. It's very easy to say you're tired of political discussion when all of your problems are solved. I keep trying to think of it that way.

The more you read, the better you are at writing, no matter what you're writing. A lot of songwriters miss that and don't see the connection there, and I've always felt like you're more able to communicate if you have a bigger toolbox to work with.

Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.

If you're going to document your own journey, the jokes work better in the first person, just like the stories do.

The idea of growing up in the South and being a man is an interesting thing; there's a lot masculinity involved, with hunting, fishing, and playing sports that rural people take pride in, but at the same time, I grew up really not wanting to hate anybody.

It comes down to the difference between what you were planning to do and what life throws at you and you have to end up doing. The one who knows how to improvise is the one who comes out ahead.

I know it's financially lucrative to go out on my own, but I don't like it. It's really hard work, just the performance aspect. I like people who look like they've been together for too long and sound like they've been together too long. I like rock n' roll bands.

When I stopped drinking... there were so many things I had to face that I didn't even realize were part of my makeup before. When you do that and have any changes that severe, you lose a lot of things, both good and bad.

If I spend time at the front of the process worrying about connecting themes, then I won't write the best songs.

I'm not trying to steer people in a direction. I'm just trying to move them. Wherever it takes them, it doesn't matter to me. I just want them to be moved in one way or another, and that's a hard thing to do, I think.

For me, the things like the Confederate flag - I just don't think that it does anybody much good, and it certainly causes a lot of people a lot of pain.

I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.

I find the ones that have the most emotional weight, the heaviest songs. For some reason, for me, they're usually the ones I write the quickest. I put more work into uplifting material, I think, sometimes.

At the end of the day, I'm just trying to write a song that I like, that I'm not afraid to turn loose on the world. I do read a lot. I know a lot of people who read more, but I do try to keep a book in my hand most of the time, and I think that informs any kind of output that I'm going to have.

There was a point when I told my daddy I didn't want to go hunting anymore.

I think great songs appeal to people at any age. Kids love the Beatles, too. Kids love Tom T. Hall. Of course, Tom T. wrote some things that were specifically for kids. But I think kids recognize quality more than they get credit for sometimes.