There is no real beauty without some slight imperfection.
James Salter
There comes a time when you realize that everything is a dream, and only those things preserved in writing have any possibility of being real.
Life passes into pages if it passes into anything.
I don't hold myself dictated to by what everyone is saying, by the tabloids or popular opinion. I don't like bourgeois values. I say you find your own way to live.
Man was very fortunate to have invented the book. Without it, the past would completely vanish, and we would be left with nothing, we would be naked on earth.
My idea of writing is of unflinching and continual effort, somehow trying to find the right words until you reach a point where you can make no further progress and you either have something or you don't.
I knew what my father, more than anything else, wanted me to do. Seventeen, vain, and spoiled by poems, I prepared to enter a remote West Point. I would succeed there, it was hoped, as he had.
I write in longhand. I am accustomed to that proximity, that feel of writing. Then I sit down and type.
I love to write about Nabokov and also to think about him. I love his attitude that he is incomparable, his lofty judgments and general scorn of other writers - not all of them, of course.
In 1957, I decided: write or perish.
People have reflected on the quality of time ever since they've been writing. I suppose I have thought about and written about the question of living in the present - but it only lasts for an instant, and then everything becomes the past. The future, you know nothing about, except for some anticipations you have.
The publishers, as I remember at the very beginning of my career, wrote letters with their fountain pens. A letter is different from a phone call or fax. It's a different kind of intimacy. That pervaded the entire business of writing and publishing.
The writing workshops and programs that are everywhere have encouraged writing. And if that produces more writing, it's also producing more readers of an elevated level. So all in all, a good thing.
I've made an effort to nurture the feminine in myself. I don't mean overtly, but in terms of response to things.
'The Paris Review' was always the pinnacle: it was the place to be published. You were thrilled if you were published in 'The Paris Review,' and George Plimpton himself was practically mythical. He was a legendary figure.
There is no situation like the open road, and seeing things completely afresh. I'm used to traveling. It's not a question of meeting or seeing new faces particularly, or hearing new stories, but of looking at life in a different way. It's the curtain coming up on another act.
As a writer, you aren't anybody until you become somebody.
The notion that anything can be invented wholly and that these invented things are classified as 'fiction' and that other writing, presumably not made up, is called 'nonfiction' strikes me as a very arbitrary separation of things.
Happiness is often at its most intense when it is based on inequality.
My first book was published without any editorial advice. Nobody said, 'You might do this or that,' or 'Why don't we see more of this.' I merely took the book and published it.
I write down portions, maybe fragments, and perhaps an imperfect view of what I'm hoping to write. Out of that, I keep trying to find exactly what I want.
I find the most difficult part of writing is to get it down initially because what you have written is usually so terrible that it's disheartening; you don't want to go on. That's what I think is hard - the discouragement that comes from seeing what you have done.
Although I've made notes for things and even written synopses sitting in trains or on park benches, for the complete composition of things I need absolute solitude, preferably an empty house.
There are writers for whom names mean nothing; everybody could be called John and Elizabeth, and the writing would be just as good. A name, of course, is like a piece of clothing, isn't it? It gives you an impression right away.
I've known the anxiety of being completely lost, flying at night. It can be extreme. You're travelling at close to five hundred miles an hour, and every minute that goes by takes you further into being lost unless you get help from ground radar somewhere or somehow figure out the error.
The whole joy of writing comes from the opportunity to go over it and make it good, one way or another.
In a certain sense, a writer is an exile, an outsider, always reporting on things, and it is part of his life to keep on the move. Travel is natural.
On the Internet, everyone is writing. There is a great flowering of writing.
I always knew writing a novel was a great thing.
I wasted time writing films. I don't look back on those years as lost, but it wasn't what I should have been doing.
West Pointers tend to be rigorously honest - more than necessary, in my view.
I don't fear death. I'm not obsessed with it the way everybody else seems to be.
Every nation feels itself to be superior, but in America it's a jaunty feeling, and in some cases a rather ominous one among the super-patriots.
I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.
I've always said that I felt women are more heroic.
Your parents are the parents you know best. Your brother and sister, if you have them, are the brother and sister you know best. They may not be the ones you like the best. They may not be the most interesting, but they are the closest and probably the clearest to you.
You can write about other people and their ideas and life without having lived it, but even your perception of that is going to be colored by what you know and what you experience. And this is undeniable.
A name, of course is like a piece of clothing, isn't it? It gives you an impression right away.
If you write enough, you begin to learn to do things. But in a way, you do start from zero each time.
Like books you will never have the chance to read, there are languages you do not know, and you're not going to get a chance to learn, so you'll never really know what was written, only the approximation.
The writing is really important in books that affect me. I read for the writing. The story is usually of less interest to me. It's the words that break your heart.
There came a time when I felt I was not going to be satisfied with life unless I could write.
A film writer is very much like a party girl. While you're good-looking and still unlined, the possibilities seem endless. But your appeal doesn't last long and you're quickly discarded.
My ideal is a book that is perfect on every page, that gives you tremendous aesthetic joy on every page. I suppose I am trying to write such a book.
It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.
I have said many times I don't want to be considered one who once flew fighters. That's not who I am. I devoted the subsequent 50 years - more - to writing.
You can't be admitted to the ranks of writers of importance unless you have sales.
The death of kings can be recited, but not of one's child.
I would say that I am a jaded man beyond most expectations, but, like everyone else, I still have hope.
Certain people can keep a word tune, so to speak, and certain people cannot. And, above all, certain people can tell a story, and other people can't. They don't hear that point where something else has to come.
