It's amazing how, over time, a person's perspective can be altered.

I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.

You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.

Once you get in a position where your rent is taken care of and you do have a job, you really get to deal with yourself and really become one with yourself. And you wake to your mind every day. That's your best friend and your worst enemy - your own brain.

I was a kid who got picked on in school, and now the guys beating up those kids were wearing red caps and using my music to fuel that aggression. But if they listen to the lyrics, the aggression is targeted at them.

I'm definitely on the incline to a peak.

When life was worrying about a car payment or a rent payment and a bill, you're so consumed with that, you really don't have time to know yourself. That's surviving and getting by.

I was a kid who got picked on in school and got beat up by popular, athletic soccer-type people.

I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.

I don't fight people for fun.

When you reminisce aren't the times that someone's forcing you to reminisce. You reminisce other times in your life.

I usually find several ways to express myself: different moods, different days, different voices, different things, 'I'm lighthearted today, I'm gonna do this.'

When I go to shows, I'm really looking forward to hearing the songs I know. I don't like it when a band tries to expose me to new stuff.

My Web site, everything I write in there is from me.

There's definitely an obstacle in developing a brand for yourself that people can rely on when you're so eclectic.

One of the things that was confusing about Limp Bizkit to some people is that our tastes were very different.

When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.

I'm 38 years old and Limp Bizkit is just something I do. If I was a painter, it would just be a type of painting I make.

Being in front of all these people staring at you and it helps you to dig down and become more emotional and get lost in it as you're feeding on people's energy.

I didn't want to do a throwaway, mindless movie with fart jokes just to make 6-year-olds laugh. I want to provide my children with some substance.

I'm OCD beyond comparison.

I've always wanted to make movies.

Our music has always been instant reactive and I guess taking our time to absorb things and say what you really want to say could be much more offensive than anything we've ever done.

For someone in my position, there's opportunities to be anything you want to be, even if you shouldn't be eligible, and I think that's left a bad taste in a lots of financers' and studios' mouths. Just cause someone's popular at one thing, letting them do the other isn't always the right thing.

I won't deny a song or a melody. I can't deny it.

I'm a sensitive guy; I respond to things that make my eyes well up a little bit, or make me root for people. I find the human condition interesting.

I'm a sentimental guy.

I love jazz music and sad music. I'm a sentimental guy. I'm a romantic guy.

I am not a hater.

Directing a film is a lot of work.

I'm in touch with the social networks and stuff.