Always give them the old fire, even when you feel like a squashed cake of ice.
Ethel Merman
There's such a thing as theater discipline. One player doesn't appropriate another's inventions.
When you are in deep conflict about something, sometimes the most trivial thing can tip the scales.
At one time I smoked, but in 1959 I couldn't think of anything else to give up for Lent so I stopped - and I haven't had a cigarette since.
I wouldn't change one thing about my professional life, and I make it a point not to dwell on my mistakes.
Christmas carols always brought tears to my eyes. I also cry at weddings. I should have cried at a couple of my own.
Everything's coming up roses - for me.
I can hold a note as long as the Chase National Bank.
I've never cooked. I can't do much more in the kitchen than make a cup of tea and some toast.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
Legend has it that when God created me, he gave me a big distinctive voice, a lot of boldness and no heart.
You gotta have a gimmick.
I am known to be able to take care of myself when I become angry. I don't mince words.
Of my four marriages, the one to Bob Levitt is the only one I don't regret.
My father taught me to read music and play the piano-but not well, even though people have said that I'm a natural musician.
Any audience that gets a laugh out of me gets it while I'm facing them.
I wouldn't trust any man as far as you can throw a piano.
I've never suffered stage fright. That fascinates people.
At a flea market I always head for the junk jewelry table first.
Once I had all the attention, all I had to do was deliver.
My career at Warner Brothers consisted of one musical short subject. I was running around in a bear skin. Very chic.
I preferred delivering my performance in person. I liked to be in control. You couldn't be in films.
Eisenhower was my war hero and the President I admire and respect most.
I Got Rhythm really put me on the map.
I take a breath when I have to.
Mom and Pop were proud of my popularity, but from their point of view, show business was no way to make a living.
I have plenty of invitations to go places, lots to do. If I'm not working, I go to have my hair taken care of and work at needlepoint.
I've made a wonderful living playing that theatrical character - the professional brassy dame.
Mom claimed that I could carry a tune at 2 or 3 years of age. Maybe she was a little prejudiced.
I was born in my parents' bedroom on January 16. The World Almanac says it was 1909. I say it was 1912. But what difference does it make as long as I feel 33?
Cole Porter wrote Anything Goes and four more hits for me.
I wasn't straining at the bit to become a movie star any more than I had plotted to get out of vaudeville and into Broadway musicals.
In my case, things have pretty much been handed to me.
Broadway has been very good to me. But then, I've been very good to broadway.
Who's happy these days?
When I'm asked how to succeed in show business, I always say I haven't the foggiest.
There have been people who have tried to take advantage of me. They want to be linked to me just because I'm Ethel Merman.
The slapdash way producers used to assemble a show seems a little unbelievable when we talk about them now.
My beloved Mom and Pop always rated tops with each other, and that's the way it will always be.
Music, in the past few years... anything singable or understandable is square.
If I feel in need of sleep, I just open a book or turn on the television. Both are better than any sleeping pill.
I'll pat myself on the back and admit I have talent. Beyond that, I just happened to be in the right place at the right time.
I'll admit - I was honored to be on the cover of Time.
I work as often as I want and yet I'm free as a bird.
I have been ambitious to be a somebody from the time I was 5 years old.
I don't like to read. The only things I read are gossip columns. If someone gives me a book, it had better have lots of pictures.
I attend surprisingly few shows. The type of theater that is popular today just doesn't appeal to me.
Cole Porter had a worldwide reputation as a sophisticate and hedonist.
As far as dramas are concerned, it's considered passe for playwrights to turn out anything the average person can understand.
I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them.
