At the end of the day, people don't always remember what it is you said to them, but they remember how you made them feel.

When a relationship ends, all you can do is play in your head everything that happened between you.

'The White Album' is so cool because it was around the time when the Beatles started to not like each other, so they would each go off and do their own thing. It's all over the place, but that's what makes the album so brilliant.

When I step outside and think of the caliber of actors I've had the privilege of working with, it just blows my mind.

There are enough roles for everyone, and I truly believe that the roles that we end up doing are the exact ones that are right for us at that time as people and as actors.

At the end of the day, I write characters that I want to play, because I just think, 'Hey, maybe one day it'll get made.'

A lot of what I do outside acting is really just for me.

Really think about the way you interact with people, whether it's in person or on the Internet. You have to be very mindful.

I feel it's so rare that young females are portrayed as being anything more than a stereotype.

Very good female characters, that's all we want. It's happening, slow and steady, which I love. Hopefully, it gets a little quicker. Fast and steady, how about that? Either way, we want more good females.

I don't like excessive violence. That's my thing. I don't like movies heavy with guns, any of that stuff, so I'm not into that stuff, but I love a psychological thriller.

Be kind to each other. You never know who's going to become the CEO of what. You never know who is going to become Taylor Swift. You never know.

I'm drawn to interesting female characters and good storylines.

When I was growing up, I wanted to be a tennis player.

I was like, 'I'm going to win Wimbledon!' I was crazy competitive, leg-slapping, all of that. But when I was 12, I saw 'What's Eating Gilbert Grape,' and it just opened my eyes to what movies can do and how they change us, and I was like, 'This is what I want to do. This is what I have to do.'

I feel like I'm 85 inside.

Contrary to popular belief, you don't make money as an actor in the beginning. Your publicist might cost $5000 a month, so you're losing money.

I really want to do something that is very, very deep within realism, like a 'Winter's Bone,' or a 'Blue Valentine.'

I'm like a 70-year-old man at heart.

My dad put me in a theater group camp at Santa Monica Playhouse when I was, like, six, and then I started to realize I really liked it when I was 11 or 12; it was nice to just escape.

Acting is kind of an escape. You get to live life as someone else, and when you're living this life as someone else, you don't really have time to think about your own life.

The boy I was crazy about was super into photography, so I weaseled my way into AP Photo to impress him and spend more time with him. He never liked me back, but I ended up spending most my senior year in the darkroom - it became a sort of safe haven for me.

Like everyone in high school, like everyone in life, we all have this outer layer we put up to protect ourselves.

When something tragic happens, all we want to do is escape it. Acting has always been kind of a twisted way of escaping my own problems and my own reality.

I'm from Los Angeles. I grew up on the west side. I went to Pali High, Paul Revere, Country Canyon.

I moved to New York when I was 17 for college.

Growing up, I was afraid of the dark.

'The Shining' is one of my favorite movies of all time.

'Rear Window' isn't really a horror film, but it is a psychological drama, which I love. It is very tense.

I would love to play roles that continue to challenge and push me in different directions - emotionally, mentally, and physically as well.

I picked up photography in high school.