I don't get called very often to play innocents.

I love feeling the crispness of fall and the sensuality of spring.

I had great faith in Irish actors, that they'd be hip to the whole theatre thing, and they are. I had no illusions of coming over here as some kind of big shot. It's been a learning experience for me too.

I've got the best of all worlds. It's every actor's dream to wake up in New York City and go to an acting job rather than to a restaurant to wash dirty dishes. And I live so close to the studios that I ride my bike to work.

But when you're a working actor - and that's what you keep saying in your head, how blessed you are to have a job - and you are working with heavyweights, working with the best guys in TV, it's pretty cool. Exhausting, but cool.

You can watch any episode you want and have a compelling story being told.

Whoever envisions not one but two series in New York?

We went online to surrogacy agencies. We interviewed lots of people - and I have to say, with all due respect, some of them were freaks. I was very leery of the process the whole way through.

My mother raised three children on her own and my dad was a doctor working 16 hours a day.

My first thought when I came here was that I understood why there are so many great Irish writers - because there is something mystical in the air. There's always this cloudy, moody sky and it's challenging.

In my own defense, I wrote a one-man show, and that to me was more where I fit.

I've written a couple screenplays and half-finished plays.

I'm just an actor, but if the extra part of it is that I'm helping people or people are being helped by the virtue of what we're doing, then that's just a really nice added extra.

I think we present extreme aspects of human behavior and hopefully get at times, messages across or bring issues to the table or as we so often say, shed light into the dark crevices of human nature.

I like intellectual journeys.

I didn't get into acting to be a public service announcer or an advocate and yet, by virtue of this show and how we handle the subject matter that we've been given, that's kind of how it's evolved in certain ways.

Crime is one of the leads of the show. If there's ever anything that deals with a character's personal life, you don't have to worry about it getting too crazy. People don't have to worry about character arcs. Each episode is a self-contained unit.

De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.

I have worried about getting pigeon-holed, but now I think I've done enough weird, offbeat stuff not to be. And I also know that I do things for the right reasons: I've made my money, so I don't have to say yes to anything.

I love my lifestyle now, but at the end of nine months, you're toast. You are toast. It's like running a marathon. You can't think while you're doing it. Especially when different directors come in who are not part of the posse, the circle.

I love to act. I need to act. It's the big itch I need to scratch.

I rarely see one of the 'summer blockbuster' movies. I'd like to see a stronger focus on smaller, smarter movies.

I really love to act; I love everything about it. I've never had this addiction to being known. I mean, sure, if you go into acting, there's part of you that is saying, 'I want attention' but I was brought up to work to deserve attention, and it is the work, not the trappings that are important.

I take this art very seriously and passionately. I love what I do. You can't help but grow. That's not to say you don't make mistakes or make bad choices, but that's part of the art. Painters paint bad paintings.

I think to be a successful comic, you have to be exceptionally smart and exceptionally perceptive.

I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.

I'm a nudist at heart.

I'm always learning from experiences because each one is different and there are different players involved in the project at the time with their own way of doing things.

It ain't easy to break out of a mold, but if you do your work, people will ultimately see what you're capable of. Too often, people find it easier to make assumptions and stick with what they believe. They put you in a place and it makes their job easier. The good people constantly search for something different.

It is a weird feeling to have people go, 'Hey Chris' like they know me. But, number one, 99 percent of my experiences have been really cool. People couldn't be nicer and more positive.

It's great to be recognized when I'm looking for a table at a crowded restaurant, but I still don't put it to best use. I'm such a lump. I won't cut the line. It's my Catholic guilt. I gotta get used to it.