I have spent many hours on the beach collecting sea glass, and I almost always wonder, as I bend to pick up chunk of bottle green or a shard of meringue white, what the history of the glass was. Who used it? Was it a medicine bottle? A bit of a ship's lantern? Is that bubbled piece of glass with the charred bits inside it from a fire?
Anita Shreve
I got hit by the bug of reading - not via a person, but via the one-room library in our small town. I remember that the children's books were in the right-hand corner near the floor. Often when I went there, I was the only visitor.
I can think of no other experience quite like that of being 20 or so pages into a book and realizing that this is the real thing: a book that is going to offer the delicious promise of a riveting story, arresting language and characters that will haunt me for days.
I start writing at 7.30 A.M. and write till noon. I've never written a single word after 5.00 P.M.
As a novelist, I remain interested in the notion of a single reckless act and its consequences.
Like many readers, I am continually in search of books that allow me to lose myself in an entirely unique universe.
My favourite books series as a young child was the Frank L. Baum 'Wizard of Oz' series. They were beautifully written, oversized fat books with wonderful type and illustrations.
I edit as I write. I revise endlessly. I don't go forward until I know that what I've written is as good as I can make it.
WWI is a romantic war, in all senses of the word. An entire generation of men and women left the comforts of Edwardian life to travel bravely, and sometimes even jauntily, to almost certain death. At the very least, any story or novel about WWI is about innocence shattered in the face of experience.
I love working alone. Crave it, in fact. I feel truly alive then.
A novel is a collision of ideas. Three or four threads may be floating around in the writer's consciousness, and at a single moment in time, these ideas collide and produce a novel.
A house with any kind of age will have dozens of stories to tell. I suppose if a novelist could live long enough, one could base an entire oeuvre on the lives that weave in and out of an antique house.
I've always been charmed by houses, and descriptions of them are prominent in my novels. So prominent, in fact, that my editor once pointed out to me that all of my early novels had houses on the covers.
The pull of history has been a strong theme in my life as a novelist.
Love and marriage are wonderful arenas in which to place a character. We are most likely to risk our morals and beliefs while in love. Betrayal gives tremendous insights into a character as well.
I have a Facebook page and a website. Beyond that, I'm actually a very private person. I'd rather see the focus on the books than on me.
